Category: My Medill Story

What is your current role and what are your main responsibilities?

I’m currently a politics breaking news reporter at The Washington Post. My main responsibility is covering all the breaking news in politics, whether it’s in the White House, Congress, or campaign events. I work with a team of four reporters, and we are constantly monitoring lawmakers and events. We also send alerts when significant events like Biden signing a bill occur.

Did you always want to go into breaking news and political reporting, or did your interests change during your time at Medill?

No, I didn’t initially plan to pursue breaking news reporting. It was something I discovered when I landed this job. I always knew I enjoyed fast-paced work, and my attention span is well-suited for breaking news. However, I didn’t anticipate becoming a political reporter. Growing up in El Salvador, I wasn’t exposed to U.S. politics beyond knowing that Obama was the president. But during my time at Medill, I participated in the Medill On the Hill program and fell in love with American politics, especially during the 2016 election. I ended up doing internships in politics in Texas and covering the city hall in New York, however, I realized that I wanted to come back to DC because of the strong Salvadoran community and the opportunities it offered.

How did you envision your career path when you started at Medill, and how did it change once you graduated?

When I first started at Medill, I thought I was going to spend four years in the U.S. and then go back to Latin America and work as a foreign correspondent for an American outlet. I already had the idea that I wouldn’t be able to stay here. But the more I learned about American politics, the more I realized that this was what I wanted to do. I realized my passions aligned with covering this topic, and every day at work felt exciting because I was so invested in what I was doing. At that point, I knew I had to do my best to stay. I took a class with Professor Whitaker, who is now the Dean of Medill, about the specific visa I’m on. I researched it, spoke to experts, and realized that it was possible for me to stay. I’m glad I had the opportunity to delve into that visa topic because it allowed me to remain in the country. My experiences at Medill changed the path I wanted to take for the rest of my life. It only took one quarter when I got the opportunity to take classes in DC for the Medill On the Hill program, where I  tried something new and broadened my horizons. I don’t know if I would be here if I hadn’t gone to Medill and tried to succeed.

How did your experience at Medill shape your approach to reporting?

One professor who greatly influenced my reporting approach is Professor Peter Slevin. He taught me to look beyond the surface and consider the bigger picture when covering politics. Instead of focusing solely on the immediate news, he encouraged us to understand the underlying factors that led to a particular event. This perspective has stuck with me, even in breaking news situations, I aim to provide readers with context and let them form their own opinions. Many other professors at Medill emphasized this approach, and I’m grateful for the valuable lessons I learned. Additionally, my time at The Daily Northwestern, where I started my journalism career, taught me important skills in managing a newsroom and covering breaking news. 

How has the Medill network supported you throughout your career?

My Medill network has been invaluable to me. When I applied for my first job at The Washington Post, I reached out to a friend who had been my RA during the Cherubs summer program in 2013. She is a Medill alumni and was on the team I was applying to at The Post. She provided me with insights into the job, interview tips, and helped me prepare in ways that made me become a good candidate for the position. We still talk regularly, and I’m grateful for her guidance. There are also many Northwestern alumni at The Post, and having that common bond has created a sense of community. I rely on my Medill connections for advice, support, and professional opportunities. They are like family to me.

Can you share an experience that stands out from your time at Medill?

With Medill courses, I got the opportunity to travel to France and South Africa, where we reported on immigration. At some moment, it dawned on me that we always talk about immigration as if it’s this big crisis going on in the world. As an immigrant myself, these two trips made me realize that there’s so much more context to immigration than what the media portrays. There’s so much more that we don’t take into consideration when we’re writing these articles. Being in South Africa gave me insights into the stories of these Zimbabwean immigrants trying to rebuild their lives. It made me think a lot about Central American immigrants in the United States and made me realize that at some point, I want to work in some sort of field that lets me cover immigration patterns worldwide. To get there, I have to cover a wide variety of things to understand where people are coming from and their positions, and it’s something I’m still pursuing. 

From your experiences, do you have any advice you would give to someone who’s currently attending or choosing to attend Medill? 

Growing up in El Salvador, when I said I wanted to go to journalism school, everyone was like, “Oh, good luck with that. There’s no job,” especially as a non-American. We’re often told that there’s no path to success. But I’ve clearly seen it happen to me and many other international students. So my advice is not to let the doubters get in your way of succeeding. There are many ways to have a successful and happy career. As an international student, you just have to put your best work forward, put in the effort, try your best, keep the connections going, talk to editors, send your resume to everyone, and sell your story and your experience. Don’t think that there’s no spot for you in American journalism because there really is. So my main message is don’t give up, but also understand that it takes a lot of work. If you already have the idea of being a journalist in America, it’s definitely doable. Don’t let anyone else tell you otherwise.

My best advice to journalism students right now is to seize as many opportunities as you can to experiment with digital and online journalism. The traditional ways we’ve been taught are evolving, and we’re moving away from print as the main product. So it’s important to gain skills in audio journalism, TV and radio hits, and even platforms like TikTok. You might not use all of these skills, but it’s better to have them when you enter the real world and realize that newsrooms are diversifying how they deliver news. 

What is your current role?

I’m the Co-Founder and CEO of Tequila Casa Dragones. As Chief Executive Officer, my main responsibilities are to create, develop and manage a portfolio of sipping tequilas, and lead our entire team in the U.S. and Mexico.

What led you to start a tequila company? Did you always have that interest in the food or alcohol business, or was it a sudden inspiration?

While completing my undergraduate program in Mexico City, I was studying business administration and was selected by the Japanese government to represent Mexico in a program in Japan. As part of my training for this program, I was invited to travel all over Mexico, visiting many different, top industries of the country in order to learn about them and be able to speak eloquently about Mexico’s economy.

As part of those trips, I was invited to go to Tequila, Jalisco, for three days to visit agave fields and different distilleries. At the end of the trip, I called my parents and told them, “I know what I want to do. I want to go into the tequila industry.” I was really taken by the beauty of the plant and the whole process.

When I had the chance to go to Japan, I began to truly understand how tequila serves as a window into Mexican culture. Meaning, when you ask people from around the world about Mexico and you ask them to name five things that represent Mexico, tequila is almost always part of that answer. The idea that tequila is truly a part of the social fabric of Mexico really captivated me. So I began to prepare for a career in the industry. 

I worked in management consulting after finishing my undergraduate in Mexico, and then I did the Medill IMC program. I also took as many courses as I could at Kellogg, to complement my experience. When I graduated, I went and knocked on the doors of the tequila industry thinking that with my background I could get a pretty good job. And that’s how I got started.

After working for a decade for the oldest and most established tequila producer in the world, I realized that I have the heart of an entrepreneur.  I grew up in a family of entrepreneurs and when I was younger I embarked on many small entrepreneurial ventures. So, after a decade of working for someone else’s company, I realized that I wanted to run my own business.

I started obsessing about the opportunity of becoming an entrepreneur in the tequila category, producing my own tequila, and really having the opportunity to deliver the best possible product. That’s where my journey to build my own company started.

How did your experience at Medill shape your approach to entrepreneurship and to the whole marketing aspect while building your company?

I can’t just attribute it to one thing or another specifically.  However, I definitely think that having the opportunity to go through the IMC program and take other important classes as well, such as entrepreneurship, gave me more ammunition for my career. The opportunity to go to the top marketing school in the U.S. really gave me a very wide perspective of not only marketing, but also of public relations, advertising, direct marketing statistics, consumer behavior, and entrepreneurship, which completely opened my perspective. I would say it’s really a combination of factors. I believe that having had the opportunity to go to Northwestern was and will forever be a turning point in my career.

When you came to Medill, did you envision a future plan, and once you graduated, did you still have that same vision in mind or did Medill change your perspective?

Medill confirmed my interest in going into brand management. When I graduated, I began looking for a role in brand management in the tequila category. I think the classes that I took and how I approached what I was learning helped, and as my career progressed, I was able to keep many of these learnings   as real anchors and real support for my own experience.

I didn’t know that I was going to be able to become a successful entrepreneur. Coming from Mexico City, having had  the opportunity to go to Medill, and to receive a scholarship, was in a way very entrepreneurial for me, and gave me valuable experience to become an entrepreneur. 

How has the Medill network helped you throughout building your career?

I did an internship in an advertising agency, and that was really interesting because it was a window into the world of advertising and marketing, and ultimately brand building. Then, when I graduated, it was very helpful to be able to leverage many of the different companies that had come to Medill. I knew I wanted to go into the tequila industry, and I had to use my own network to accomplish that. However, I tried to stay close to the university because I believe that the impact that it had on my career was truly important.

Can you speak of a time that stands out to you from your time at Medill?

When I graduated, they gave me the Arthur E. Tatham award, which is given to a student with a standing promise in marketing communications. That was a pretty big moment for me. Plus, it was a monetary award that enabled me to actually have a little bit more money to be able to wait for the right job, which was incredibly helpful.

Other things stand out as well, such as the impact from some of Medill’s excellent roster of professors, such as Stanley Tannenbaum, who is no longer with us. His role in the advertising world was really incredible, the way that he taught us and the way that he inspired us was a great experience. We also had the chance to work with the speech writers that had worked with Bill Clinton, for example. It was always so exciting to be able to be sitting in front of such experienced professors, whether in media, writing, journalism, or in advertising.

Finally, what still stands out to me were the people that I met there, the richness of the program, the beauty of Chicago and Evanston, and the high academic level of Northwestern. Since then, I’ve been back to both Medill and Kellogg for different invitations. It’s really an extraordinary school and I feel very proud and grateful to have a connection to it.

How has your work at Medill made a difference in your career?

I immediately went into brand management and it helped me find my passion. Of course, tequila is my passion, but in the end, it’s all about building a brand, a successful product, and a very high-quality product. So, I think that my experience at Medill helped me understand that there was a real passion for me in this field, and it gave me the tools to get there and actually do it.

If you could give advice to someone who’s entering Medill or thinking about joining Medill, what would you tell them?

The university has so much to offer that it is up to the student to make that really work for you. You need to be truly curious about what you’re learning and be proactive and interactive with your professors and accept the challenge. If you do, you’re going to get so much out of the experience and gain valuable skills for your life.

For me personally, Northwestern also awakened an interest in academia; it infused me with the idea of constantly looking for new courses. It’s up to you to really stay curious.

1. What inspired you to go to Medill?

I graduated with a bachelor’s degree in broadcast communications from Carroll College in Helena, Montana, but my true love was in magazines. After researching Medill’s magazine journalism program, I told myself I was going no matter what, if I got in. I moved to Evanston to start the MSJ program a few months later not knowing a soul, and it was the best decision I ever made.

2. What did you specialize in at Medill, if anything?

Magazine journalism.

3.What is your favorite Medill moment(s)?

Two stick out to me. The first was doing man-on-the-street interviews during Methods class at the start of the program. Hitting the streets of Chicago in the dead of winter and trying to convince strangers walking by to do an interview with us, while getting our equipment set up and functioning in single-digit
temperatures, was one of the most challenging things I’ve ever done. It was a turning point for me not only in my career, but in my life. I’d always been considered shy and one to stay in my lane, but that exercise helped me to gain the experience and confidence I needed to break out of that shell.

The innovation project was a highlight of my time at Medill. Our class, which graduated in December 2010, chose to create the first digital magazine designed for the iPad, which had come out that spring. Building this product from the ground up —for a medium that had not been done before — provided me with a breadth of new skills that I use to this day, more than a decade later. That included navigating through tough challenges with a team, delegating, managing technology failures, understanding design
and UX, defining your audience, negotiating, business planning and even pitching to venture capital firms.

4. What did you do right after Medill?

I started my first post-grad job as an assistant editor with McKinsey & Company, working on the firm’s McKinsey Quarterly business journal, in downtown Chicago a month after graduation. I spent several years there before moving to Atlanta to become managing editor for Jezebel, a print magazine published
by Modern Luxury. Next, I moved through a series of editorial roles at Connect, overseeing print and digital magazines for four individual segments of the meetings and events industry, before being laid off unexpectedly from my role as editor-in-chief there in fall 2017.

5. How did you go about launching your freelance career?

I’d always viewed becoming a freelancer as my ultimate goal, dreaming of working for myself but imagining it would happen further into my career than it did. Jobless overnight after my layoff, I decided to try freelancing for a while to get me through the holidays, after which I figured I’d apply for new jobs.
The first person I reached out to was a friend who’d graduated from the magazine program with me at Medill, who was then working as an editor with Real Simple. She gave me the opportunity to write a couple digital stories for her (I still recall, it was best holiday gifts for parents, and for brothers), and I
earned my first national media clips because of her generosity. It gave me the confidence to begin pitching other national publications, and within a few months I was writing for Shape, Cooking Light, Reader’s Digest and others. At the start of my freelance career, I would write about anything, for any publication I could. Over the past five years, however, I’ve worked to develop a strong personal brand as a writer covering topics I enjoy. Now, I’m known for my writing about travel, food and golf, and my top outlets include Travel + Leisure, AARP The Magazine and Southern Living, among others. To this day, I find how strong a Medill connection goes. Before pitching a new editor, I always check their LinkedIn page to see where they went to school. I’ve found that when I reach out to a fellow Medill alum and mention it in the first sentence, the response rate is nearly 100 percent.

6. How did you then launch your own business, Pitchcraft? Can you summarize what it is in a few
sentences?

Pitchcraft is a technology platform connecting independent PR professionals and small PR agencies to freelance journalists and editors in the national consumer lifestyle space. We put the “relations” back in public relations through a series of resources designed to foster relationships among writers, editors and
PR — including weekly personal interviews with freelance journalists, weekly calls for members only, monthly workshops with freelancers and editors. Our business model includes paying all our journalists and editors, showing we value their time and expertise.

It began in March 2020, when I decided to host a Zoom meeting to bring together writers and PR pros to discuss pitching during the pandemic. It evolved into monthly paid workshops that regularly sold out. I decided to roll it into an ongoing membership with resources our members could access at any time, and that would build community. My husband, Derrick, left his corporate job in May 2021, and together we built Pitchcraft and launched in December 2021. Together with our growing cohort of members and network of journalists, we are working to shift the transactional nature of the media industry into one that’s relationship based. Being journalist-led sets us apart from any other PR software company. We have big things planned for 2023 to continue to grow and spark foundational change.

7. How did your Medill training help you in your career, either as a writer or business owner, now? 

I wouldn’t be where I am today without the skills and connections I developed through my time at Medill. One thing I’ve come back to time and time again is the program’s journalism ethics course. We live in a time where anyone can call themselves a freelance writer if they’re able to pitch and get an assignment from an editor, but not everyone has the foundation of what being a journalist means, from an ethical standpoint. That’s of increasing importance in a world of fake news and much noise in the content space
online.

The connections I established through Medill have been invaluable. It’s amazing to see where my fellow classmates have ended up in their careers, and to keep in touch with them and turn to each other as resources years later. There’s also an unspoken bond among alumni, even if we didn’t go to school together, that establishes trust and camaraderie from the start. For instance, I’ve had many writers and editors who are Medill alums join Pitchcraft as guests, who’ve immediately said yes after learning of our Medill connection.

8. What advice do you have for incoming MSJers? 

When you start your MSJ program, clear out any extraneous noise or distractions in your life so you can focus 100 percent on the work. You get out of it what you put into it. Yes, it’s going to be hard. If it was easy, everyone would do it. Yes, you’re going to be forced into situations that make you uncomfortable. You’ll learn from them. Yes, you’re going to make mistakes (I once wrote a headline that was read aloud to the class that was so embarrassing, I can’t bear to think of it do this day). You’ll get through them and never make them again. Also, spend time getting to know your classmates personally. These will be your lifelong friends, colleagues and peers whom you can always turn to for advice and support.

By Myles Gilbert

When Christine Brennan was 10, her father would often find her in their living room, school books pushed aside, intently listening to the Toledo Mud Hens broadcast on public radio. Brennan followed the entire 1968 season of the Detroit Tigers Triple-A affiliate in a scorebook she received for her birthday.

“Not only were many 10-year-old girls in America not doing that,” Brennan said. “I dare to say very few 10-year-old boys were doing that.”

That’s who Christine was, and is. Infatuated with scores, stat sheets, and storylines.

Now, at age 64, Brennan has spent more than 40 years covering professional sports and the Olympics for the Miami Herald, The Washington Post and now USA Today. She is also a commentator for ABC News and CNN. Brennan became the Miami Herald’s first female sports reporter in 1981, the Post’s first woman assigned to the Washington Football Team beat in 1985, and the first president of the Association for Women in Sports Media in 1988. A trailblazer in the industry, Brennan is dedicated to help blaze a trail for the next generation of female sports reporters.

“I would be mad at myself if I didn’t give back,” Brennan said.

Growing up in Toledo, Ohio, sports surrounded Brennan, and it became her passion. She and her father dedicated fall Saturdays to college football, attending University of Toledo games just across the street from their home.

Brennan was enthralled by the action. Growing up, she wrote game previews for NBC’s nationally televised baseball games with information she gathered from her own bank of baseball knowledge and her hometown newspaper, the Toledo Blade. She scanned the headlines and box scores of the night before, craving the scoop.

On April 6, 1981, after receiving her bachelor’s and master’s degrees from Northwestern University’s Medill School of Journalism, Brennan became the first female sports reporter at the Miami Herald and covered the University of Florida Gators football program, a coveted beat in South Florida.

Brennan attributes her early success in a male-dominated profession to her editors at the Herald and coaches in South Florida, including legendary Miami Dolphins head coach Don Shula, because they brought her into the newsroom and locker room and allowed her to thrive.

In 1984, Brennan moved to The Washington Post, where then-sports editor George Solomon was inspired by her presence on his team.

“I was impressed with her professionalism and how she cultivated sources,” Solomon said. “She knew it wasn’t easy, but she was respected.”

Grateful for the opportunities she was given to live out her dream, Brennan was inspired to give back, recalling a saying her father often quoted from the New Testament: “To whom much is given, much is expected.”

In 1988, Brennan was elected president of the Association for Women in Sports Media, beginning her mentorship and support of female journalists. She helped found a scholarship-internship program, which has impacted almost 200 women, according to Brennan.

Michele Himmelberg, one of the organization’s founders, commends Brennan for championing women’s rights in her reporting.

“She is a strong, fair and righteous voice on important issues that need to be called out,” Himmelberg said. “She forces all of us to think about how wrong these issues are outside sports.”

For 13 years, beginning in 1999, Brennan pressed officials at the Masters Tournament, hosted at the Augusta National Golf Club, about the club’s lack of female members, returning every spring to ask the same question.

“I was public enemy number one of Augusta National,” she said. “But you can ask tough questions and still admire the event.”

Finally, in 2012, Brennan broke the news that Augusta National had admitted its first two female members, a scoop she credited to her friendly relationship with Billy Payne, then chairman of Augusta National, dating back to his days as the head of the 1996 Atlanta Olympics.

“You treat people right and they treat you right,” she said.

Brennan said she wants to be remembered for looking to the future and helping others, especially those without the same opportunities she had.

“Christine is incredibly generous with her time,” said Charles Whitaker, who was a classmate of Brennan’s at Medill and now serves as dean. “Whether it’s for career advice or just to find a mentor, I always direct students to Christine.”

Himmelberg recalled crowds of young female reporters huddled around Brennan at Association for Women in Sports Media conventions to introduce themselves.

“They flock around Christine because she’s so positive and they soak it all in,” Himmelberg said. “She’s always ready to actively mentor young women and give them hope, direction and guidance.”

What has been most gratifying for Brennan is her activism and compassionate reporting.

“If I were remembered at all,” she said, “I would want to be remembered as someone who gave back, and someone who had an unquenchable thirst to motivate and encourage those coming after me.”

By Marc Zarefsky (BSJ07) for Spotlight on Storytelling

Robert Samuels watched footage of George Floyd’s murder like millions of people around the world, but when Samuels, a journalist for the Washington Post, first traveled to Minneapolis in the summer of 2020, he wasn’t interested in Floyd’s death. He wanted to write about Floyd’s life.

“As much as I read about him, I had no sense of his soul,” Samuels told me. “That’s what I wanted to show the world.”

Samuels earned the trust of Floyd’s family and closest friends — many who previously refused interview requests — and crafted a powerful tale of hope and horror as part of the Post’s six-part series on “George Floyd’s America.” But Samuels knew there was a far bigger story to tell, a story of systemic racism that ultimately left Floyd gasping to breathe.

“As time went on, his humanity risked being reduced into simply a face that was associated with pain,” Samuels said. “Fellow Post reporter Toluse Olorunnipa and I thought we could help restore it.”

Now, nearly two years to the day since Floyd was killed, the two are trying to do just that. Samuels and Olorunnipa co-authored “His Name is George Floyd: One Man’s Life and the Struggle for Racial Justice,” which is available for purchase today.

Samuels talked with me about the challenges of crafting such a complex story involving a person most people know of, but few know about.

As you were writing the book, who was the audience you were writing for?

The first person is my mom. Because she immigrated from Jamaica to this country, she had to learn about racism in America. She came to this country in 1973, the same year Floyd was born, and she wondered how her life would be different if her family experienced what Floyd’s had. So in my mom, I think of the person who might not have the complete depth of understanding of the issues, but enough of a baseline that you can’t take certain thoughts or feelings for granted.

Honestly, a part of me wrote it for the 16-year-old version of myself — the skinny, somewhat self-effacing kid who could not fully articulate why teachers underestimated him or why he could sometimes feel so out of place in the country he loved. I imagined him picking up this book in an airport and being empowered with the vocabulary and the historical knowledge about race and racism that he did not previously have. And I thought of how empowering it would be for him.

How, if at all, did your approach to interviews change depending on who you were attempting to speak with?

The pitch we made wasn’t that different for anyone — from any of Floyd’s loved ones to President Biden himself, who also answered our questions. We thought we had a great opportunity to help open people’s eyes to the invasive force of systemic racism, and we told everyone how humbling it would be if they could help join us on the journey. And so many people, including people who were with Floyd on the day he died who have not spoken publicly about the incident, said “yes.” More than 400 did. And every “yes” we received felt monumental.

Profile stories can sometimes have a formulaic pattern to them, yet the story you tell weaves George Floyd’s story into the larger story of systemic racism in this country. How challenging was it to piece those stories together?

Floyd’s presence actually helped us focus the story. We knew any issue we discussed had to relate to him and the movement that followed his death. The tentacles of systemic racism in this country are wide-ranging, so embedding these ideas inside the narrative allowed us to introduce them to the reader in a way that feels organic. A lot of biographies tell the “what happened” part; We wanted to put his life in the proper context and answer the “why” questions, too, because his death became such a symbol of how racism operates in America. But we wanted the reader to understand that systemic racism did not come pressing on Floyd solely because of his last interaction on earth.

What did you learn about storytelling from this project?

The benefit of planning ahead. We wrote a pretty big book — twice as many words as our publisher asked — that had many different threads and characters, so it had the potential to be a train wreck. There was no way we could have done the book and finished on time if we did not build the architecture for chapters before we started writing. We had to have a sense of building up to important scenes, make conscious decisions about when the narrative should begin to speed up and pray, pray, that we could get characters developed over the chapters. There was little about the structure that was happenstance.

What advice would you give someone looking to become a better storyteller?

Listen and learn. I think a lot of journalists go into stories with the wrong attitude that you are doing a community or a person a huge favor. No. They are giving you the privilege of trust and candor. So, listen to them. Let their answers breathe and try to interrupt them as little as possible. Ask smart follow-ups. And then, at the end, mirror back what you thought you heard them say.

What do you hope readers learn from your book?

That George Floyd’s battle to breathe in America started long before he met Derek Chauvin. He spent his life trying to navigate systems that carried the legacy of racist laws that rarely showed him any grace. I want readers to see how systemic racism works and how consuming it can be.

But ultimately, this story is about the persistence and optimism of black people in this country. Floyd, for example, never stopped trying to be a more productive member of society — and always believed it was possible. The activists who take up the fight for justice protest because they believe the country can have a better tomorrow. And even when legislation fails and their tactics get maligned, they seem to hold a brighter outlook for the country’s future than so many of the lawmakers who represent them. It is the black people of the country who are the holders of American hope in the book — and I found it to be a profound response to the structural issues in this country. When I asked why they refused to think things don’t get better, the answer was always the same: If we lose hope, the alternative is far too bleak.

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That’s it for this storytelling spotlight. If you know someone who might enjoy this newsletter, please pass it along. If you want to know more about “His Name is George Floyd: One Man’s Life and the Struggle for Racial Justice,” don’t miss these reviews:

• The New York Times
• The Atlantic
• The Washington Post

by Dr. Norma Fay Green (MSJ72)

Seven years after earning my MSJ turning an internship recommended by Ray C. Nelson (MSJ55) into full time Crain Communications editorships and becoming president of the Women in Communications Inc. Chicago Professional Chapter, Dr. Elizabeth Swayne Yamashita (MSJ59, Ph.D.69) recruited me to return to campus to teach an undergraduate Basic Writing course. She saw something in me that I hadn’t considered.

I thought I would spend my career writing for invisible readers. I didn’t appreciate the visceral and immediate challenge that attempting to share information with a live (and lively) audience would elicit in me and those Medill students in Spring 1979 at Fisk Hall. Despite encouragement from course supervisor Emily Soloff, teaching initially felt like “trial and terror.”

When I told my father, who taught night school business classes at Wayne State University and University of Detroit that I’d be teaching an evening section, he said. “Oh, you’ll be teaching people in their sleep.” Actually the class was alert, eager and sometimes knew more than I did– apparently having memorized Strunk & White’s “Elements of Style” in high school! They kept me on my toes and most recovered nicely from my evaluations of their narrative, descriptive and expository writing assignments. I surprised myself by discovering I enjoyed the face to face feedback and decided to commit to a full-time career in academia.

So I commuted to Michigan State University, for an interdisciplinary communication program, where future Medill faculty Donald E. Schultz and Martin P. Block were among the first graduates of its new doctoral program in Mass Media. In 1995. Peter Jacobi (BSJ52, MSJ53), one of my Medill professors in the magazine sequence, became my instructor (again) in a week-long Association for Education in Journalism & Mass Communication/Freedom Forum Teaching Workshop at Indiana University.

Eventually I was hired full time at Columbia College Chicago and soon became its second Graduate Journalism Director succeeding former Medill faculty member and alum Eric Lund (BSJ49) who retired. I became the journalism department’s first full time Ph.D., first faculty member to successfully complete a newly-established tenure process and later became its first Full Professor. Along the way I continued to publish (more scholarship, less journalism) and garnered teaching, curriculum and research awards from Lilly Endowment, Ford Foundation, Ethics & Excellence in Journalism Foundation, Poynter Institute, National Endowment for the Humanities, and, in 2000, my first Fulbright. That latter award attracted the attention of my fellow WICI member and Medill alum Marilyn Moats Kennedy (BSJ65, MSJ66) who recruited me for NU’s alumnae mentors, The Council of One Hundred.

In 2017 I took a buyout from Columbia after 29 years of teaching 24 different courses but have continued my academic research including chapters in “Political Pioneer of the Press: Ida B. Wells-Barnett and Her Transnational Crusade for Social Justice” (2018), “Curating Culture: How Twentieth Century Magazines Influenced America” (2021), co-edited by Medill Dean Charles Whitaker (BSJ80, MSJ81) and my Columbia colleague Sharon Bloyd Peshkin and the forthcoming “Gandhi, Advocacy Journalism and The Media” (2022).

Years ago at a party someone asked me what I did for a living. I said I was a college teacher and they quipped, “Oh, so you’re an idealist.” I laughed and said “Yes, I am and proud of each student courageous enough to pursue their dream to go into journalism. After all, I learned from the best.”

Photo: Dr. Green’s 1979 Basic Writing students

As a congressional correspondent for CBS News, Nikole Killion (BSJ99, MSJ99) spends her days following stories on Capitol Hill and keeping viewers up-to-date with the latest in Washington. But her current role with CBS News, which she started in 2021, isn’t the first time she has covered the nation’s capital. 

Killion’s history covering news in Washington dates back to her time as a Medill student, first in summer internship programs with the Institute on Political Journalism and CNN and later through the politics specialization in Medill’s Accelerated Master’s Program. Decades later, she says the skills and experiences central to her time at Northwestern have been pivotal in establishing her career.

“Having those experiences made me very interested in politics,” Killion said. “While I didn’t set out to be a political journalist at the time, those are experiences that help give me that foundation to be able to see things up close for myself in terms of being able to cover the Capitol at such an early stage, to now say I’m a Congressional correspondent for CBS News.”

Killion’s interest in journalism blossomed during high school in Ann Arbor, Mich. through a program at a local community cable station. At first an occasional guest, Killion eventually became a co-host and used her platform to tell the stories of difference makers in her community. 

“Once a week, we would get to interview different teens in the area, so I had the chance to interview people, talk to people, and it really piqued my interest,” she said. “I decided, hey, this journalism thing isn’t too bad, maybe I should do a little bit more of it.”

With its Midwest location and strong reputation for journalism, Northwestern became one of Killion’s top choices when it came time to pursue her new interest as a profession. 

The fit turned out to be a strong one and essential to launching a career in journalism. Killion refers to professors Ava Greenwell and Charles Whitaker as two mentors that made a difference in her career and highlighted Medill’s emphasis on the fundamentals of journalism as a focus that still pays dividends years later.

“It comes back to the fundamentals, the five W’s: who, what, when, where and why,” Killion said. “That attention to detail, that attention to accuracy, that attention to getting both sides of the story are fundamental journalism practices that have been ingrained in me in my journalism career.”

Along with her experiences in D.C., Killion fondly remembers her Teaching Television residency, which she spent in Lexington, Ky. with the local CBS affiliate. The residency gave her the opportunity to develop her reel and build on-air skills at a top TV market. Living in Kentucky during a Kentucky Wildcats championship run and the Kentucky Derby was an added bonus, showing Killion the best of the Bluegrass State.

Killion found her way back to a professional newsroom after graduation, though she initially started out helping behind the scenes in news coverage. She covered 9/11 and other major events as an assignment editor and field producer at NBC News, then decided to pursue her on-air aspirations and moved to a station in Hagerstown, Md. in 2002. After stops in local television and as a Hearst regional correspondent, Killion took on a role at CBS News covering Washington, D.C. for its various platforms.

While Killion considers her own path to be traditional, she sees the journalism industry today as full of opportunity for young journalists. 

“Every path is different, it’s just a matter of utilizing your skills, honing your skills because it comes back to those foundational things from strong writing to storytelling to accuracy,” she said. “If you can do all those things well and on a platform of choice where you can get that attention and exposure, it provides so many more opportunities than the more traditional paths that I had coming out.”

Washington has rarely been easy terrain to navigate. Killion points to two recent events, the coronavirus and the January 6 attacks, as changing the dynamic of how the broadcast journalism industry operates and how she approaches her own role. 

“It makes it an even more challenging environment to cover than in years past, so that is something that I’ve tried to be mindful of in my coverage,” she said. “There’s always that desire and nostalgia to get back to the days of old and truth and bipartisanship, but it feels over to a certain extent in terms of journalism because things have gotten so partisan.”

From her time at the Lexington CBS affiliate to programs in Washington to the groundwork of journalism fundamentals, Killion’s time as a Medill student has a wealth of connections and “full-circle moments” to her current role as an on-air correspondent for a national news outlet. 

Even with her prominent platform, Killion’s motivation to report the news remains the same.

“Being able to witness history up close, whether it’s a positive part of our history or a negative part of our history, has been the fire that is in my belly and that drives me to keep doing what we do every day. You always have to be ready and willing to cover that next event because it could turn out to be something monumental.”

By Darren Zancan (MSJ12)

During the sixth grade, my class had the opportunity to write and submit a story to the Young Authors’ contest. While most of my class was writing about fictional characters, I focused on real life experiences. Up to that point I had already lost several people – one being my childhood best friend to a tragic accident.

Chicago Bulls’ star Michael Jordan had just released his autobiography, which inspired me to follow suit. My story was selected to move on in the competition, and during the award ceremony a publisher approached me. She wanted to publish my piece. I looked at my mom, looked back at the publisher and said no. Writing was never about an award, it was about telling a story.

At that moment, I knew what I wanted to do in life – be a storyteller.
My dad was diagnosed with pancreatic cancer in 2009. Up to that point, I had essentially wasted away most of my life, never taking anything – except for writing – seriously. I had dropped in and out of college many times. In one of our last conversations, I looked at him and said I was tired of failing. Losing my dad pushed me to live life to the fullest, and I looked at this as a second chance in life.

I went back to that moment in sixth grade and knew what needed to be done – finish my degree. I ended up graduating with a bachelor’s degree in journalism from EKU. In the two years at EKU, I was the editor-in-chief of the student newspaper, president of the EKU Society of Professional Journalists chapter, and was selected as the 2011 commencement speaker. My goals were bigger than just a bachelor’s degree. Reggie Beehner, my undergrad advisor at the time, is a Medill graduate. Almost weekly, I expressed to Reggie my dream was to attend Northwestern, be a storyteller, and graduate from Medill.

I remember going to dinner with my mom around the same time to fill her in on my future goals. She looked at me and said, “What’s your backup option? And your third option?”

Northwestern. And Northwestern. It was Medill or bust.

A few months later – after what felt like years – I called my mom. I started the conversation with, “Do you own anything that’s purple and black?” I could tell my mom was initially confused. After a few seconds, she screamed in pure joy. The dots connected – I was a Medill master’s student (A big thank you to Donna Wang Su).

I commuted every day from Northwest Indiana to Evanston or the newsroom on Clark Street. My professor, Susan Chandler, was walking with me to the train station after class one day, and she asked why being at Medill meant so much to me. It was more than an education for me. I have always lived by the moniker that if you believe it, you can achieve it. Dreams are meant to become accomplishments. In this life we can be difference makers. If I learned from the best, I could take that and pass it on to the generations after me. Medill is a difference maker, and that is what I told her.

Medill continues to be a difference maker in my life. At its core, Medill thrives because of the faculty and staff that have paved the way since the school’s inception. The passion runs deep, which is something I witnessed from the moment I walked into Fisk Hall. Yes, these professors and editors laid a solid foundation (along with striving to never get a Medill F), but it was always more than that. The intrinsic value to push us, make us better human beings, curious truth seekers, and unique storytellers stands above all.

Most importantly, they cared.

They cared not because they had to, but because they wanted us to go out into the world and strive to be the best at what we do.
Because of Northwestern and Medill, I’ve accomplished more than I could have ever imagined. Four days after graduating, I started teaching video, sports reporting, and journalism at three colleges and universities. I witnessed firsthand professors like Jim Distasio, Joe Mathewson, and so many others invest in us. I wanted to keep the ball rolling and do my best to inspire the next generation of storytellers. Heck, I am just a few months away from graduating with my doctoral degree.

While teaching, I was simultaneously planning something more; something deeper and creative. In 2013, I founded DMZ Productions, a video production company. The inspiration came from Distasio, my first Medill professor. The way he told stories through a camera lens was the push in the direction I craved. Years later, a company that started with one now has a full staff. We’ve created corporate videos for universities and companies across the country, and in 2021, we introduced a new division to the company – DMZ Films. During that expansion, we penned a Christmas full-length feature screenplay, wrote, and started filming a workplace comedy called “The Home,” developed “History Alive,” a historical/paranormal docuseries, and just finished a documentary about The Kentucky Theatre called “The Heartbeat of Downtown.”

Recently, I’ve been in a bit of a creative rut. Maybe a little stuck. I felt as if I needed some sort of sign that things would open up. I looked at social media and saw a memory Jan. 2, 2012. It was my first official day as a Medill student. I looked at my watch and chuckled. It was Jan. 2, 2022, exactly 10 years later to the day. It was the sign I needed. I hopped in my car and made my way to campus for the first time in seven years.

I meticulously made my way up to every floor, remembering very specific events during my time at Medill. I stopped at Mike Greenberg’s Hall of Achievement photo and thought back to the sixth grade. In those few moments I noticed something. I was smiling. I felt that energy starting to flow through my veins. The rush, the excitement, and imagined such a wide-open future in front of me.

I sat on the steps in Fisk Hall, closed my eyes and let it soak in. I no longer felt like the person who worried about failing. I grew up wanting to be a storyteller, and because of Medill, the dream is becoming a reality.

Medill laid the pathway for my future.