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Medill or bust: My journey to becoming a storyteller

By Darren Zancan (MSJ12)

During the sixth grade, my class had the opportunity to write and submit a story to the Young Authors’ contest. While most of my class was writing about fictional characters, I focused on real life experiences. Up to that point I had already lost several people – one being my childhood best friend to a tragic accident.

Chicago Bulls’ star Michael Jordan had just released his autobiography, which inspired me to follow suit. My story was selected to move on in the competition, and during the award ceremony a publisher approached me. She wanted to publish my piece. I looked at my mom, looked back at the publisher and said no. Writing was never about an award, it was about telling a story.Darren Zancan looking up.

At that moment, I knew what I wanted to do in life – be a storyteller.
My dad was diagnosed with pancreatic cancer in 2009. Up to that point, I had essentially wasted away most of my life, never taking anything – except for writing – seriously. I had dropped in and out of college many times. In one of our last conversations, I looked at him and said I was tired of failing. Losing my dad pushed me to live life to the fullest, and I looked at this as a second chance in life.

I went back to that moment in sixth grade and knew what needed to be done – finish my degree. I ended up graduating with a bachelor’s degree in journalism from EKU. In the two years at EKU, I was the editor-in-chief of the student newspaper, president of the EKU Society of Professional Journalists chapter, and was selected as the 2011 commencement speaker. My goals were bigger than just a bachelor’s degree. Reggie Beehner, my undergrad advisor at the time, is a Medill graduate. Almost weekly, I expressed to Reggie my dream was to attend Northwestern, be a storyteller, and graduate from Medill.

I remember going to dinner with my mom around the same time to fill her in on my future goals. She looked at me and said, “What’s your backup option? And your third option?”

Northwestern. And Northwestern. It was Medill or bust.

A few months later – after what felt like years – I called my mom. I started the conversation with, “Do you own anything that’s purple and black?” I could tell my mom was initially confused. After a few seconds, she screamed in pure joy. The dots connected – I was a Medill master’s student (A big thank you to Donna Wang Su).

I commuted every day from Northwest Indiana to Evanston or the newsroom on Clark Street. My professor, Susan Chandler, was walking with me to the train station after class one day, and she asked why being at Medill meant so much to me. It was more than an education for me. I have always lived by the moniker that if you believe it, you can achieve it. Dreams are meant to become accomplishments. In this life we can be difference makers. If I learned from the best, I could take that and pass it on to the generations after me. Medill is a difference maker, and that is what I told her.Darren Zancan at his production studio.

Medill continues to be a difference maker in my life. At its core, Medill thrives because of the faculty and staff that have paved the way since the school’s inception. The passion runs deep, which is something I witnessed from the moment I walked into Fisk Hall. Yes, these professors and editors laid a solid foundation (along with striving to never get a Medill F), but it was always more than that. The intrinsic value to push us, make us better human beings, curious truth seekers, and unique storytellers stands above all.

Most importantly, they cared.

They cared not because they had to, but because they wanted us to go out into the world and strive to be the best at what we do.
Because of Northwestern and Medill, I’ve accomplished more than I could have ever imagined. Four days after graduating, I started teaching video, sports reporting, and journalism at three colleges and universities. I witnessed firsthand professors like Jim Distasio, Joe Mathewson, and so many others invest in us. I wanted to keep the ball rolling and do my best to inspire the next generation of storytellers. Heck, I am just a few months away from graduating with my doctoral degree.

While teaching, I was simultaneously planning something more; something deeper and creative. In 2013, I founded DMZ Productions, a video production company. The inspiration came from Distasio, my first Medill professor. The way he told stories through a camera lens was the push in the direction I craved. Years later, a company thatDarren Zancan teaching. started with one now has a full staff. We’ve created corporate videos for universities and companies across the country, and in 2021, we introduced a new division to the company – DMZ Films. During that expansion, we penned a Christmas full-length feature screenplay, wrote, and started filming a workplace comedy called “The Home,” developed “History Alive,” a historical/paranormal docuseries, and just finished a documentary about The Kentucky Theatre called “The Heartbeat of Downtown.”

Recently, I’ve been in a bit of a creative rut. Maybe a little stuck. I felt as if I needed some sort of sign that things would open up. I looked at social media and saw a memory Jan. 2, 2012. It was my first official day as a Medill student. I looked at my watch and chuckled. It was Jan. 2, 2022, exactly 10 years later to the day. It was the sign I needed. I hopped in my car and made my way to campus for the first time in seven years.

I meticulously made my way up to every floor, remembering very specific events during my time at Medill. I stopped at Mike Greenberg’s Hall of Achievement photo and thought back to the sixth grade. In those few moments I noticed something. I was smiling. I felt that energy starting to flow through my veins. The rush, the excitement, and imagined such a wide-open future in front of me.

I sat on the steps in Fisk Hall, closed my eyes and let it soak in. I no longer felt like the person who worried about failing. I grew up wanting to be a storyteller, and because of Medill, the dream is becoming a reality.

Medill laid the pathway for my future.

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Next Avenue’s Managing Editor Richard Eisenberg (BSJ78) Says Goodbye — But Not Farewell

Reprinted with permission from Next Avenue. Photo credit: Richard Eisenberg 

Reflections on a 10-year run, plus parting advice from what I learned as the site’s Money and Work & Purpose channels editor

by Richard Eisenberg

After a wonderful lunch in New York City a few weeks ago with Next Avenue writers Kerry Hannon and Chris Farrell, I needed to buy a bus ticket for the trip home to New Jersey. The ticket booth clerk had posted a sign reading “Today Is My Last Day Before Retirement” and was wearing an “I’m Retired” sash, along with a huge smile. I’m about to retire, too (from my job as Next Avenue’s managing editor and editor of the site’s Money & Policy and Work & Purpose channels). Although I don’t have a sash, I did want to share a few reflections and advice as I sashay out.

Although it may seem to some Next Avenue readers that our site has been around forever, truth is that my fellow launch team members started working here just over 10 years ago — in November 2011. I was brought on as editor of the site’s Money and Work & Purpose channels.

Our small team — then split mostly between St. Paul, Minn., and the New York City area — tinkered quietly for six months, mostly to figure out what Next Avenue would be; the site went live in May 2012.

How Next Avenue Started
The idea for this journalism nonprofit was hatched by two visionaries at Twin Cities PBS (TPT): the station’s then-CEO Jim Pagliarini and his Next Avenue co-founder Judy Diaz. I was told they felt PBS should do something for boomers (then roughly 50 to 65) the way it had created “Sesame Street” for kids.

They felt PBS should do something for boomers (then roughly 50 to 65) the way it had created “Sesame Street” for kids.

I’d been a personal finance writer and editor for decades (Money, Yahoo!, Good Housekeeping, CBS MoneyWatch) and was 55 in 2011, so I felt the job was a perfect match. I was right. Over the years, my job broadened and I also became Next Avenue’s managing editor and copy editor. At a small-budget journalism nonprofit with big ideas and plans, you often wear several hats.

These days, our audience now includes Generation X, since some of them are 50-plus, too.

For the personal finance and career channels at Next Avenue, I’ve written pieces that were highly personal (“Sorry, Nobody Wants Your Parents’ Stuff” after my father died), exclusive (parts of our annual Influencers in Aging list) global (how the oldest people in the world make their money last) and arcane (everything you didn’t want to know about backdoor Roth IRA conversions). I’ve edited pieces on topics ranging from starting a business after 50 to the importance of end-of-life financial planning, too.

After turning 65 in July and realizing I was nearing my 10-year anniversary at Next Avenue, I thought the time was right to retire. At Next Avenue, we really prefer not to use that word, though, because it connotes the 1950s version of no-work/all leisure. Instead, we talk about “unretiring” — a term popularized by Chris Farrell’s 2016 book, “Unretirement.”

Why I’m Retiring Now
My decision wasn’t about the pandemic or about The Great Resignation. And I’m ignoring The Motley Fool article I just read, “3 Reasons Why 2022 May Be a Bad Year to Retire.”

I’ve just decided it’s time for me to begin the journey on my next avenue, even if, in the words of the late Stephen Sondheim, “Everybody Says Don’t.”

My retirement will be what Bruce Feiler, author of “Life Is in the Transitions,” calls one of the biggest transitions people go through. When I interviewed him for Next Avenue about his intriguing book, he told me there are three phases of transitions: The Long Goodbye, The Messy Middle and The New Beginning.

I’m now at the Long Goodbye stage, where, Feiler says, “you say goodbye to a life that is not coming back.” I’m hoping to zip through The Messy Middle (where you figure out the new transition) and quickly head into The New Beginning where, as Feiler explains, “you are unveiling your new self. It’s time to update your story and tell other people.”

Here’s how I see my New Beginning: Freelancing for Next Avenue and other sites; continuing to write book reviews for People and co-hosting the “Friends Talk Money” podcast; volunteering; mentoring; traveling with my wife and seeing our L.A.-based sons Aaron and Will and their wives (COVID-19 permitting), learning pickleball (I think it’s the law now, isn’t it?) and seeing what else comes my way — as well as what strikes my fancy.

I realize I’m enormously fortunate to be able to choose my retirement date; many others can’t, due to financial or health circumstances.

I know that, along with some boomers in their mid-60s, I’m in the last generation who’ll receive one or more employer pensions; in my case, I’ll receive two: from years working at what was once Time Inc., and Hearst.

What I Did to Help Make Retirement Possible
Following the advice I’ve offered to readers for years, I saved furiously for college bills through 529 savings accounts, mutual funds and U.S. savings bonds; I have socked away money diligently for retirement since my 20s, in 401(k)s and self-employment retirement plans; been serious about keeping an emergency savings fund; paid off our mortgage; lived pretty frugally (my wife and I drive 2010 and 2012 Mazdas, also paid off), and been cautious about debt.

My traditional Medicare, Medigap and Medicare Part D prescription drug plans will take effect in January (that’s been a hassle). I expect to delay claiming Social Security until I’m 67, taking advantage of the larger benefits I’ll receive by postponing them.

My health is mostly good, with one gigantic caveat: my kidneys are pretty lousy, due to decades with diabetes. It’s possible that I’ll eventually need a kidney transplant or dialysis, but I’m doing my best to avoid either.

My late mother had dementia and I’d be less than honest if I didn’t say that I worry I will get it one day, too. Here, I’m following the advice Next Avenue has offered — trying to stay healthy, challenging myself mentally, continuing to engage with others, working part-time and volunteering. But I also have a long-term care insurance policy, just in case, and hope the insurer will pay up if it comes to that; not all do.

Speaking of advice, I couldn’t conclude this farewell address without sharing a few personal finance and career tips for people in their 50s and 60s that I’ve picked up at Next Avenue:

Save for retirement and for emergencies. I won’t belabor this, since you hear it all the time from personal finance writers. I know it isn’t easy, and sometimes isn’t possible. But the more you can put money aside today, the more you’ll thank yourself tomorrow — whether that’s in six months or in six years.

Consult a financial adviser and an estate lawyer. My wife and I met with one financial planner when our sons were small, for tips on paying their future tuition bills (the takeaway: fund a 529 college savings plan and start when your kids are young if you can).

A few years ago, we started working with a fee-only, fiduciary Certified Financial Planner who has taken a more holistic look at our finances, offering wise counsel and recommendations on investing, insurance, taxes and debt.

We also hired an estate lawyer to ensure our final wishes will be met; that was no fun and took too much time and money, but it needed to get done.

Get lucky if you can — and make your luck, too. My luck was finding a wonderful partner in my wife Liz (married 36 years), having two fantastic, loving sons and living during years when both the stock market and housing markets soared. There were also years when both markets crashed, but I didn’t panic and waited them out.

I’d say I made my luck in my career.

After getting a journalism degree at Northwestern University and landing a job as a fact-checker at Money, I worked hard and learned all I could to allow me to move up the ranks and then land jobs at other media outlets, ultimately winding up at Next Avenue.

Part of my ability to get these jobs, I think, was networking frequently — on LinkedIn, through phone calls, emails and meet-ups — to be in the right place with the right skills at the right times.

I’ve written often, and published Next Avenue articles by experts like Nancy Collamer, about how age discrimination by employers can make it difficult for people in their 50s and 60s to get hired. I’ll always be grateful to Yahoo! for hiring me at 53 (a recruiter found my LinkedIn profile) and for TPT for taking me on at 55 (a freelancer who’d written for me told me about the job).

Brilliant experts — from AgeWave’s Ken Dychtwald to Encore.org’s Marc Freedman to authorities on elders Chip Conley and Bob Blancato to retirement gurus such as WISER’s Cindy Hounsell and Transamerica’s Catherine Collinson (all Next Avenue Influencers in Aging) — have helped let me keep my Next Avenue job by sharing their wisdom in articles I’ve written, assigned and edited.

I’m grateful, too, to Next Avenue’s fabulous freelance writers and especially to my collegial Next Avenue colleagues, current and former, who have made Next Avenue the leader in our field — including Kristi McKinney, Julie Pfitzinger, Kathy Ritchie, Emily Skoblik-Diallo, Sabrina Crews, Megan Germundson, Bryce Kirchoff, Sue Campbell, Shayla Thiel Stern, Donna Sapolin, Emily Gurnon, Liza Hogan, Susan Donley, Grace Birnstengel and Colleen Wilson.

In one of my favorite Sondheim tunes, the star of “Company” belts out the song “Marry Me a Little” saying: “I’m ready! I’m ready now!”

Today’s my last day at Next Avenue. Retirement: I’m ready!

nextavenue.org/next-avenues-managing-editor-says-goodbye-but-not-farewell/

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Babysitting dilemma helps carve career path for S.F. Chronicle writer Ruthe Stein (BSJ67, MSJ68)

Story by Myra Krieger
Photo by Pamela Gentile

Published in San Francisco Senior Beat

Ruthe Stein’s parents unwittingly imbued her with a love of the movies, a romance that would lead to a lifelong career. Her dad, beleaguered with the responsibility of caring for his daughter on Saturday afternoons, would drop her off at one of Chicago’s giant movie houses.

“The movies were his babysitter,” Stein said. “He never checked what the film was about or if it was appropriate for a 12-year-old, so I saw a lot of adult fare.”

When she went with her movie-loving mother, ticket takers would argue that Stein was too young to be admitted. Her mother argued back:“`Well, she’s not going to understand it.’” Stein recalled. “I was five.”

By the time she was 25, the youthful movie lover had become a professional movie critic, reporting for the San Francisco Chronicle for 50 years. Along the way, she was a reporter for Jet and Ebony magazines, taught journalism, and wrote a self-help book for singles.

It’s easier to make up a roster of A-listers whom she hasn’t interviewed than one that she has. Of course, there are ones who top the queue, like Cary Grant, Princess Grace, George Clooney, Renee Zellweger, Al Pacino, Meryl Streep, Paul Newman and Matt Damon. She’s interviewed about 300 movie stars and directors.

She earned her master’s degree at the Medill and graduated in After a jaunt to Denver, where she taught journalism to community college students for about a year, a serendipitous event reshaped her career.

Headstart at Ebony magazine

“The publisher of Ebony and Jet magazines, John Johnson, wanted to diversify the workforce. I’m white and a woman, both of which were missing from his organization. Plus, I had chutzpah and good credentials.” Stein joined the staff as a reporter.

She hung out in the company cafeteria where she never allowed herself to become intimidated in casual conversations with stars like Sammy Davis Jr., James Earl Jones, James Brown or Lou Rawls, she said.

“Initially, I wasn’t taken seriously; I was the token white girl.” she said. “But my experience in interviewing, writing stories for this nationally known African American publication helped open doors.”

Stein started as a feature writer for the women’s section of the Chronicle in 1970, writing about movies and interviewing movie stars and celebrities. She became a movie editor in 1989 and later, a film critic.

Stain managed to eke out more time than many other journalists to talk to movie stars and produce unique, in-depth stories. How did she do that?

“Movies get released and A-list actors are under a binding contract to be interviewed by the press. Lots of times, as a Chronicle reporter with a good following, I was ahead of the queue. I was allowed 20 minutes; I took more and usually nobody minded.

“I tried to get different things from people because I’ve read so many interviews where they’re saying the same thing. I try to think of questions that other people haven’t asked.”

Her latest book

Getting different things from people is Stein’s specialty. Her latest book, ”Sitting Down with the Stars,” a peek into the lives of 100 Hollywood legends, provides subtle but provocative stories about each actor: Who knew that Nicholas Cage’s uncle is Frances Ford Coppola or that Steve Martin is an accomplished playwright or that Antonio Banderas’ words would be so wise?: “There has to be an acceptance that we get older, and that is not good or bad but it is a fact. There is much more of a universe I am living in now, partly because of my heart attack.”

The new book is her second offering; the first was “The Art of Single Living.” She wrote a singles column that was syndicated in 30 newspapers in the U.S. and Canada but stopped writing about the single life when she was no longer single.

She didn’t hesitate when asked about the worst and best films of recent times. The worst: “Basic Instinct 2.” The best: “Little Miss Sunshine.”

Her gauge is like that of most moviegoers: “A good film is one I enjoy, can get lost in for two hours. A bad film is when I keep looking at my watch. It’s a lot of fun to write a bad review, especially of a big Hollywood movie when you know what you write has zero impact. I’m more careful about what I say when it’s a small indie film; a very bad review can put a kibosh on everything.”

In 2006, Stein co-founded the “Mostly British Film Festival,” which shows English language movies made outside the U.S. in places like New Zealand, Ireland and South Africa. The post-pandemic revival of the festival begins in February at the Vogue Theater.

Preserving small film houses

The festival is the revenue generator for the San Francisco Neighborhood Theater Foundation, which helps rescue small, single- to three-screen movie houses like the Vogue, Opera Plaza, Presidio and others from extinction. Stein works closely with Jack Bair, co-director of the Mostly British Film Festival, and Alfonso Felder – both senior vice presidents of the San Francisco Giants – who help raise money for the foundation.

How does one become a movie critic? It’s a question Stein hears often. She said she isn’t certain but added: “I am curious about people. At parties, I’m always a good person to bring along because I can make anybody start talking about stuff. Either you have that ability or you don’t.”

Discipline and productivity count as well. “I have never missed a deadline in all 50 years. While at the Toronto film festival, I interviewed three actors in two different hotels in one hour, and I was not late for a single one of them and I got all my questions answered.”

Since retiring, teaching and lecturing at the Fromm Institute is a big part of her life. Over the past five years, she’s covered a wide range of topics, including Melodrama in Film; Jews and Film; Romance Movies. In the spring, she plans to focus on women directors, the careers of Al Pacino and Robert DeNiro, and inside looks at directors Martin Scorsese, Steven Spielberg and Francis Ford Coppola.

Enjoying getting older

There’s little hard luck in Stein’s story. She grew up in middle- to upper-class Chicago with an older brother and sister. Her father was a boxing promoter who also managed fighters.

“I got to know them when I went to Miami Beach, where he trained them. He got pushed out in the ’50s when fights went on TV and the Mafia got involved,” she said. “Later, he owned and operated clothing stores on State Street.

“I think I get my energy from my mother who was a schoolteacher; she eventually took over the library also. In the ’50s, when the TV networks included movies in their programming, we would be sure to make a night of it, reflecting on the story afterward.”

As this septuagenarian approaches her 77th birthday, she said, “I don’t mind being older as long as I stay healthy. In fact, I’m kind of enjoying it.”

She exercises and walks a lot in her Russian Hill neighborhood and is a voracious reader. Not surprisingly, she watches plenty of movies with her husband, Dean Macris, the former director of the San Francisco Planning Commission.

Her current datebook is filled with talks and events promoting her latest book.

Stein says that by the time she was in eighth grade she knew she wanted to be a gossip columnist. She never had that title, but she came as close as anyone could expect.

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Multidisciplinary artist and former Northwestern football player chosen as IMC graduation speaker

Dwight White II (IMC17), artist and creative consultant, will address integrated marketing communications master’s graduates and their families at Medill’s convocation ceremony on Saturday, December 11.

White is a multidisciplinary creative and his art comes to life through paintings on canvas, large scale murals and public communications to share authentic stories. With his background in integrated marketing communications, he has continued a career path that allows for creative expression that connects with consumers.

“We are eager to welcome Dwight back to campus to speak to our newest IMC graduates,” said Medill Dean Charles Whitaker. “As we continue with Medill’s Centennial celebration, it is important to showcase the different and pioneering successes Medill alumni can achieve. Dwight’s career represents the unlimited futures open to Medill graduates.”

After graduation, White pursued his marketing career with Sky Zone Franchise Group as a marketing and program development graduate intern in Los Angeles. He collaborated with team members to analyze customer feedback and transactional data to provide actionable program recommendations to implement across the international franchise network in six countries. He then went to San Francisco, working at Patreon as a consumer research and brand strategy analyst.

White came to Chicago as a senior consumer insights analyst at The Kraft Heinz Company. However, he came to realize during the pandemic he wanted to pursue art as his full-time profession. White’s vast experiences have led him to live as a full-time business and artist professional.

“I am excited to share my story with the new graduates and their families,” White said. “It is a time to reflect on the possibilities of a Medill degree.”

During his time at Northwestern, he played football as the team’s cornerback. However, he left the team in 2014 due to an injury he received during practice before the season opener.

White’s career as an artist has led him to large projects with the Chicago Loop Alliance as he painted a mural recognizing Loop workers on Ida B. Wells Drive. He also has done work on the West and North side of Chicago honoring medical workers during the pandemic and recognizing the Black Lives Matter protests in 2020.

“The Integrated Marketing Communications program enhanced my ability to gather insights and conceptualize and build strategy as a creative marketer,” White said. “I joined the program to amplify my career and it has brought me to a full-time career in art.”

In addition to murals, White works with businesses on consumer-related art projects in the Chicago area. He also has his artwork in gallery shows across the city where he directly sells his canvas paintings. White has been able to connect with corporate clients as well, such as the Chicago Fire Football Club, for whom he designed special cleats.

Prior to attending Medill, White earned a bachelor of science degree at Northwestern in corporate communications and sociology. He has maintained contact with Northwestern’s football program and painted a mural inside the Northwestern players’ lounge in 2019. Recently, he painted a mural titled “Undivided Legacy” for the newly renovated Black House showcased during homecoming weekend.

The convocation ceremony will start at 10 a.m. on Saturday, December 11 and will be livestreamed and recorded for later viewing.

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Todd Happer (BSJ88)

Tribute and photo courtesy of ASTC. 

Todd Happer, Senior Manager of Member Engagement at the Association of Science and Technology Centers (ASTC), passed away on Wednesday, September 1, 2021, from complications of cancer. The ASTC Board of Directors and staff share our condolences with the many members of our community who treasured Todd as a trusted colleague and true friend.

Todd began his career at the Museum of Science and Industry in Chicago directly following his graduation from Northwestern University in 1988. In subsequent years, Todd led marketing and communications for several institutions, including Science Central, the Orlando Science Center, and the Brooklyn Children’s Museum. Todd continued to serve the museum and science center community as Associate Publisher of Scientific American Explorations, and he worked for more than a decade as Vice President, Science Education and Museums Editor at Natural History magazine.

Early in his career, Todd served as the Assistant Editor for Dimensions magazine and other ASTC publications. Todd returned to ASTC in 2016 where he most recently led ASTC’s member engagement efforts. In fact, there seemed nothing he enjoyed more than connecting with colleagues from the global science center community.

Throughout his career, Todd made major contributions to the association, including serving for many years on the ASTC Conference Program Planning Committee, helping to shape one of the premier professional development opportunities for our field. Todd’s support of ASTC members has been especially impactful during the COVID-19 pandemic as he has led multiple efforts to ensure that ASTC members have the connections and resources they need to navigate this crisis.

Todd built an encyclopedic knowledge of science centers, science museums, and informal learning institutions, which he used to facilitate connections between members, help share effective approaches, and increase the public’s understanding of the work and impact of these institutions. Todd’s work helped hundreds of institutions around the world to learn about innovative new strategies, develop their staff capacity, and scale their impact on the communities they serve.

Perhaps most important is Todd’s impact on the countless individuals with whom he built relationships over the years. Todd truly “knew everyone,” and he was always seeking to understand each person’s unique perspectives and find ways to support their priorities and strengthen their work. Todd’s loss will be felt by so many, but his memory and his legacy will continue.

To honor that legacy, ASTC has established the Todd Happer Memorial Scholarship Fund which will help support participation in future ASTC Annual Conferences from those at small or remote science centers who would otherwise be unable to attend. Click here for more information about the fund and how to contribute.

Remembering Todd Happer

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Cherubs recall most memorable summer 60 years ago

By Laird Kelly (BSJ66) and Kathleen Neumeyer (BSJ66)

Cover photo: Cherubs Class of 1961 with Professor Ben Baldwin.

Neither of us remembers the other from the life-changing summer of 1961 we spent studying journalism at the National High School Institute as Medill “Cherubs.” Odds are that we occasionally said hello in passing during our four undergraduate years. We didn’t keep in touch after graduation, either.

Kathleen Neumeyer photo.
Kathleen Neumeyer (BSJ66)

But in March 2021, Kathy was asked to help locate former Cherubs to celebrate the Medill Centennial at a Zoom Reunion. All she had to go on was a tattered original roster of the 53 boys and 56 girls, with their high schools and hometowns. No list existed of their current locations. Off-hand, she knew how to find one, and had possible leads on two or three more. Most names did not even ring a bell.

The 1966 Northwestern class directory included information on two dozen former Medill Cherubs who had graduated with her, eight marked deceased and a couple as lost, but for others there were married names, addresses, phone numbers and/or email addresses. So she began.

The first email reply was from Laird Kelly who said he had lost track of most of his Cherub pals. He spent a couple of hours on the internet, discovering that Prudence Mahaffey Mackintosh was still in Texas, a contributor to Texas Monthly for more than four decades, with several books published by Doubleday. He located an obituary for Dick Hodtwalker, another Cherub/NU friend.

Laird Kelly photo.
Laird Kelly (BSJ66)

Laird emailed Kathy his results, including links. Kathy emailed back: I am very impressed with your research and would like to welcome you as my co-chairman.

For the next four months, we were a bicoastal investigative team, and eventually found nearly all of the 109 1961 Cherubs. At least 25 have died, we couldn’t find nine of them, and three said they weren’t interested. But 70 wrote back enthusiastically describing the Cherub experience as a turning point in their lives. We sent short summaries of their life stories to everyone before an Aug. 1 Zoom Reunion to which about 35 logged in.

Laird set up a spreadsheet to help organize the sleuthing. Jack Rhodes, with 19 years experience as an editor and reporter for the St. Paul Pioneer Press, and Michael R. Whitney, (BSJ66, MSJ67), who won 23 Emmys at CBS News and 60 Minutes, volunteered to track people down. Laird arranged for an Internet service providing addresses, phone numbers, birth, death and criminal records. We looked for folks on Facebook and Linked In, called their high school alumni associations, and checked obituaries of their parents to see who was listed as next of kin, with current residences. We talked to ex-spouses, siblings and neighbors.

We got an invaluable assist from Carol Muller Doig, (BSJ 55, MSJ56) who met her husband, the acclaimed memoirist and novelist Ivan Doig (BSJ61 MSJ62) when both were instructors during our Cherub summer. After Ivan’s death in 2015, Carol donated his papers to Montana State University, including notes and memorabilia from when they were Cherub instructors. She gave us access to the archives.

The more former Cherubs we found, the more gratifying (and fun) the project became. Almost everyone was delighted to hear from us, and astonished to be found.

For both of us, that summer had been pivotal. An Indianapolis native, Kathy thought she had no option but Indiana University, but after the Cherub summer, she applied only to Northwestern. Her Medill degree was like a gold card in her profession, and her marriage to her Northwestern sweetheart took her to California, where she has lived ever since. Laird used his Medill training to start a business, now in its 45th year, in the specialized field of news, television and audio programming for physicians. He called the Cherub program “a beautifully-produced announcement of the Big Wide World for this kid from Kansas.”

As Cherubs, we spent five weeks writing news, features, sports and opinion stories six days a week, crammed into a classroom on the second floor of Fisk Hall, at long tables lined with rented manual typewriters. In the afternoons we heard lectures, did more writing, got in a quick hour on the beach, and in the evenings our minds were blown by startling new ideas from Northwestern professors and Chicago journalists. We lived in dormitories with 17-year-olds from all over the country.

We took field trips to the Museum of Science and Industry, the Chicago Art Institute, a steel mill, a pharmaceutical laboratory and the Chicago Tribune. We watched future Hall-of-Famers Ernie Banks and Stan Musial play in an extra-innings game at Wrigley Stadium. Some of us saw Ethel Merman in a pre-Broadway production of Gypsy, and all of us heard a young Byron Janis play with the Chicago Philharmonic at Ravinia, and Andy Williams sing Moon River in the Empire Room of the Palmer House at Chicago Night Out.

As a pitch to attend Northwestern, it worked. A couple dozen of us graduated from Northwestern five years later. But the experience also imbued a lifelong affection for the university in the ones who did not attend Northwestern.

Jim Spears, who became an editor at Newsday, graduated from Hamilton College in New York and earned his master’s degree at that other journalism school, Columbia University, but his Cherub experience was noted in his 2017 obituary.

Bruce Buck said he “really enjoyed the Northwestern program and really wanted to be a journalist for the long term, but my father was a journalist and he encouraged me to do something that could be more financially secure.” He kept his options open during Columbia Law School by spending weekends on the police beat for the Newark Evening News, then practiced law for Wall Street law firms in London. In 2003, Buck became chairman of Chelsea Football Club, one of the top European football (soccer) clubs.

During her undergraduate years at Medill, Linda Grove (BSJ66) developed an interest in China, and earned a master’s in Asian Studies and a PhD in history from University of California, Berkeley. In 1970, Grove moved to Japan to work on her dissertation on the social and economic background of the war in China. At that time Americans could not visit China. She married a Japanese art historian, and taught for many years at Tokyo’s Sophia University, serving as a dean and later vice president of the university.

Martin Stidham (BSJ65) studied Chinese during undergraduate summers. “After graduation, I took a freighter to Taiwan and did a part-time stint with the China Post in Taipei, but soon realized that an excruciatingly slow writer is not cut out to be a journalist.” He began translating contemporary novels, short stories and poetry from Chinese, writing a Chinese vegetarian cookbook and co-authoring two books on early childhood education. He now lives in San Francisco.

More than half of the Cherubs we found had spent at least some portion of their life in journalism, as writers or in a communications-related field.

On summer break from Harvard, Stu Pizer got a job in the mailroom at the New Yorker, then worked under managing editor William Shawn, writing “Talk of the Town.” While offered a full time job at the New Yorker upon graduation, he decided to pursue psychology. He helped found a psychoanalytic institute in Boston and started a writing program for health professionals.

Jack Rossotti (BSJ66) was a reporter, producer and anchor in television news in Syracuse before going to law school, practicing law and teaching law at American University.

Susan Holly Stocking (BSJ66, MSJ67) was a reporter for the Minneapolis Tribune, the Associated Press and the Los Angeles Times, before earning a PhD from Indiana University and teaching journalism there for more than two decades.

Kathy was a reporter for United Press International in Los Angeles, covering the trials of Sirhan Sirhan, Charles Manson, Daniel Ellsberg and John DeLorean, was the Southern California correspondent to The Economist, and a contributing editor of Los Angeles Magazine. She taught journalism on both the high school and college level for 40 years.

Janis Bateman (BSJ66,MSJ67) had intended to be a sportswriter, but she said that spending her summers as a Cherub instructor made her a “lifer” as a journalism teacher, at her own alma mater, Crater High School in Central Point, Oregon.

Peter David Koenig (BSJ66) retired in Buenos Aires after a career as a writer, poet, and university professor, said that the Cherub program “took me out of a small town midwestern high school, and transported me a hundred miles away from my family for the first time in my life, to the Northwestern University campus I knew only vaguely by name, and into the presence of a whole group of able high school writers and professional journalists for a summer that was for me pure bliss, and as Ivan Doig might say in The Last Bus To Wisdom, a ticket to the start of a new life.”

The Zoom Reunion, Bateman noted, had reconnected her with old friends, and “to have your social life re-energized at 77 is something special.”

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Medill announces new international award to recognize innovation in teaching integrated marketing communications

Nominations are being accepted for the inaugural Don Schultz Award for Innovation in Teaching, Theory and Practice of Integrated Marketing Communication, presented by Medill. 
Don Schultz
Long-time Medill Professor Don Schultz played a pivotal role in creating the field of Integrated Marketing Communications (IMC) and establishing the IMC department at Medill in the early 1990s.

This international award is open to university faculty and marketing professionals who have demonstrated excellence in teaching the principles of IMC and bridging the gap between the academic and commercial arenas.

Nominations and applications for the award are being accepted now through Oct. 29.

A committee of Medill faculty and industry experts will review nominations this fall. The winner will receive a cash prize of $5,000 and give a presentation on their work in Spring 2022.

The award is named for long-time Medill Professor Don Schultz. Schultz played a pivotal role in creating the field of Integrated Marketing Communications (IMC) and establishing the IMC department at Medill in the early 1990s. Medill was the first school to offer a graduate degree in Integrated Marketing Communications in the United States. Schultz is regarded internationally as the “father of IMC.” He died in 2020.

“Marketing scholars from all over the world who are developing new customer-centric frameworks and using novel technologies to communicate with customers, society and even whole markets to drive financial performance are encouraged to apply for this award,” said Vijay Viswanathan, Medill professor and associate dean of IMC. “We believe the award will help bring together IMC teachers, scholars and practitioners from around the world, and it will highlight the best practices in IMC and serve as an authoritative learning forum for the global IMC community.”

Schultz advocated for a marketing communication strategy that began with the customer’s perspective, that adopted a holistic view of media and communications planning across various channels and which could be linked to performance in the marketplace. This was a significant change from the dominant communication paradigms at that time where public relations, direct marketing and brand management efforts were disjointed and often with little or no accountability.

Marketers all over the world heeded his call and agencies and companies set up whole IMC departments.

While IMC like other fields has evolved, the core principles that Schultz espoused remain fundamental to the study and practice of IMC even today. Those principles include:

  • An unwavering focus on providing solutions and value to customers.
  • Achieving synergy and integration across all communication activities.
  • Media neutral planning and effective use of all relevant brand touchpoints.
  • Reliance on behavioral data to understand customer motivation, guide strategy development and measure outcomes.
  • Understanding how brand perceptions shape customer behaviors.
  • Executing communication activities for specific markets in meaningful ways while staying true to an overall integrated brand strategy.
  • Interactivity and ongoing customer-marketer relationships.
  • Emphasis on financial outcomes measured in terms of customer response, repeat purchases and brand asset value.

The winner will be selected by a committee that includes Jeanie Caggiano, EVP/executive creative director at Leo Burnett; Judy Franks, Medill assistant professor; Tariq Hassan, chief marketing and digital experience officer at McDonald’s; and Shekar Swamy, group CEO of RK Swamy BBDO.

To nominate someone for the Schultz Award, please visit this application. Additionally, individuals may nominate themselves for the award and submit letters of support from colleagues. The winner and finalists will be announced in January.

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Raymond C. Nelson

Raymond C. Nelson, 92, retired professor and associate dean at Medill, died May 30, 2021, in Seattle. Survivors include his wife, Carol; a son, David; and a daughter, Leslie Nelson Kellogg.

He wanted to be remembered simply as a reporter, writer and teacher, which summarizes the three legs of his career. But he was far more than that—a man with a wide variety of interests, a deep knowledge of his disciplines, and abiding affection for friends and colleagues. Despite being a city boy, he developed an avid interest in the outdoors: sailing, bicycling, camping and skiing. He was also a lifelong baseball fan. His mother’s family was from the St. Louis area and he managed to become a St. Louis Cardinals bat boy. As a South Sider, he was a White Sox fan. He also played a bit of semi-pro baseball but disliked the bus travel.

“I think the singular, most important thing to know about my dad was his curiosity about anything,” said his son. “He always wanted the details about something with constant questions, always probing to try and get to the heart of understanding the topic in question.”

Retired faculty member David Nelson (no relation) praised him as “an efficient, loyal and low-key administrator” who “provided the detail work behind many of Medill’s major mid-20th century projects, serving as its associate dean. He made sure that multimillion-dollar grant proposals to the Gannett and Ford foundations were in perfect order. They were. And Medill launched its Urban Journalism Center for mid-career journalists to study race and social inequities nearly a half-century ago. He also played a major role in overseeing the school’s first journalism residency program. An unassuming man, Prof. Nelson left his mark as an able administrator. We owe him a debt of thanks and wish his family solace at this time.”

Born in Chicago in 1928, Ray attended Tilden Tech, then enlisted in the Army and did occupation duty in Korea with the 31st Infantry Regiment. At the time of his discharge in San Francisco, the Army tried to get soldiers to re-enlist by offering promotions. “We knew a war was coming in Korea,” said Ray. “The signs were everywhere and we wanted nothing to do with it.”

Raymond Nelson in old Medill studio black and white.
Photo courtesy of Nelson family.

In 1952 he earned a journalism degree from the University of Missouri Columbia, working as a reporter until he went to Medill for a master’s in 1955, winning the Harrington Award for being an outstanding student in the Radio-TV sequence.

He caught on at KBUR in Burlington, Iowa. The story goes that Ray worked the 1956 Democratic National Convention in Chicago and came to the attention of NBC’s Sam Saran (Medill ‘5?), who helped bring him to Chicago and WMAQ as a reporter. One duty was a program called “Night Desk,” an early and innovative mobile-reporting effort. Using a broadcasting/recording setup in a panel truck, reporters did mobile stories throughout the city.

After a stint in public relations at the National Education Association in Washington, D.C., he rejoined Saran in 1963 in Northwestern’s public relations department at the time of the lakefront expansion. From there he moved to the Medill faculty in 1966, eventually serving as associate dean. “My dad was extremely proud of being associated with NU generally and Medill specifically,” his son said. “The Cherubs program was something he frequently spoke about as well as the Teaching Newspaper Program. From an immediate family perspective, my dad was proud that everyone in the family had earned a degree from NU.”

George Harmon, who was on the faculty when Ray was associate dean in the 1980s, remembers: “Ray was smart, cheerful and innovative. As associate dean he effectively mentored faculty members who joined Medill in the early 1980s. In later years he liked to experiment with new courses and with old courses that needed new wrinkles. When working downtown in news, he earned a reputation as a go-get-’em newsman who loved chasing stories.”

The Nelson family lived for years in Wilmette. After retiring in the 1990s, Ray and Carol moved to Seattle. Eventually they built a house in Port Townsend, where they enjoyed an active retirement.

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Lisa Lee (MSJ93)

Lisa Lee (MSJ93), senior vice president of creative and content for the Academy of Country Music died Aug. 21 after a battle with brain cancer. She was 52. Born Alicia Faye Young in Cabot, Arkansas, on Dec. 24, 1968, Lee earned a bachelor’s degree in journalism and English from the University of Arkansas at Fayetteville and a master’s degree in broadcast journalism from Medill. After graduation, Lee got a reporting job at Cabot Star-Herald newspaper.

One of her early jobs was at KTAL-TV, an NBC affiliate serving Texarkana and Shreveport, Louisiana, where she began to be interested in entertainment stories. Although her assignments covered a variety of topics, Lee eventually convinced station management to allow her to do movie reviews; she promptly constructed her own little critic’s corner set. She also started covering country music concerts and events in the Arkansas area and surrounding states at this time.

Lee started a friendship with a reporter/producer from Jim Owens and Associates, the Nashville-based production company behind TNN Country News at the time. Soon she was checking in with the folks at Jim Owens, updating them on all the entertainment pieces she was working on, while not so subtly working to convince them to hire her. Her persistence paid off when Jim Owens and Associates hired her, and she moved to Nashville to work for the company from 1995 to 1999.

In 2000, Lee moved to CMT and CMT.com as a news correspondent and producer.

Lee also had a calling to expand the social conversation. She wrote and produced the Prism Award-winning special Addicted to Addiction, as well as the TV news specials Sex in Videos: Where’s the Line and Controversy: Tammy Wynette.

In 2004, Lisa moved to Los Angeles, becoming the Hollywood-based correspondent and West Coast News Bureau Chief for CMT Insider, the network’s interview-driven news show, where she covered music, movies, and television.

In 2007, three years after her move to L.A., Lisa accepted the Academy of Country Music’s offer to draw on her experience as a TV journalist and producer to help the Academy establish and grow their own in-house creative and video production department. As the Academy’s lead staff producer, she oversaw all video production as well as the design, creation, and editing of ACM logos, digital and printed materials including ACM Tempo magazine, the ACM Awards program book, and both the ACM and ACM Lifting Lives websites.

With her long history of production and network teamwork, Lee served as a liaison with CBS television’s creative departments and CBS.com for promos and creative content surrounding the annual ACM Awards. She was named producer of the Academy of Country Music Honors, a live industry event dedicated to celebrating the Academy’s special award honorees, off-camera category winners, and ACM Industry and Studio Recording Awards winners. Held each year at the historic Ryman Auditorium in Nashville, Lisa imbued the event with a real love for the people who go the extra mile to support, expand, and protect Country Music in its most creative places.

In 2014, Lee wrote and created This Is Country: A Backstage Pass to the Academy of Country Music Awards. The deeply researched coffee table book celebrated the 50 the anniversary of the ACM Awards and included a forward by Reba McEntire.

Photo: Courtesy Academy of Country Music

Source: MusicRow.com. Link to full obitutary.

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Stephanie Edgerly Wins 2020 Outstanding JMCQ Award

Medill Associate Professor and Director of Research Stephanie Edgerly and Emily K. Vraga won the 2020 Journalism and Mass Communication Quarterly (JMCQ) award for their article, “Deciding What’s News: News-ness as an Audience Concept for the Hybrid Media Environment.”

The typical way news has been defined is from a journalist’s point of view. This study proposes a new way of addressing the definition of “news” from the point of view of readers. The article places the audience’s sensemaking processes at the center to better understand how consumers define what media content counts as news and offers an essential framework for addressing the fluidity of news consumption. This framework opens new pathways for understanding the future of journalism studies internationally.

This annual award recognizes an article that makes significant contributions to theory and methodology in journalism and mass communication. The winner is selected by Association for Education in Journalism and Mass Communication members, the JMCQ editorial review board, and the editorial team of the journal. The authors of the winning article receive a certificate as well as $1,000 cash award during the AEJMC annual convention.

Read the articles here: https://journals.sagepub.com/doi/10.1177/1077699020916808
https://journals.sagepub.com/doi/full/10.1177/1077699020906492